So of course the movie that wins Best Picture after print deadlines is the newspaper movie. Here’s to “Spotlight”! https://t.co/XsmRAk9adZ
— Steve Buttry (@stevebuttry) February 29, 2016
If you were a journalist and you stayed up to the end of the Oscars ceremony, you had to feel uplifted by the Best-Picture Oscar for “Spotlight.” After seeing the film in November, I wrote two posts on the movie about the Boston Globe’s investigative reporting on sexual abuse by priests. Those links are at the end of this post, but first a few fresh thoughts on the “Spotlight” win:
- As I noted on Twitter after the win, many East Coast newspapers (and probably even some in Central Time) have deadlines too early to get the newspaper movie’s win into their morning editions today. (The Advocate, our local paper here, did get the Best-Picture results in a story on Page 5A and a page-one reefer.) I sure hope the Globe was able to hold its print edition long enough to trumpet the news to its print readers.
- While the much-deserved praise for the Globe’s journalism is welcome balm to a weary profession and industry, equally big news for the Globe the past few months has been its difficulty delivering the print edition to subscribers. Cost-cutting at many newspaper companies has prompted outsourcing of functions such as delivery and customer service. And often that goes badly. The Globe’s delivery issues have drawn the most attention, but I know dozens of newspapers that have dealt with similar problems, alienating loyal print readers while still struggling to make money with weak digital products.
- However much disruption the media business endures, we need to maintain our commitment to investigative journalism. Like the Globe, news organizations need to tell untold stories and hold the powerful accountable.
- Sunday night was a great night of recognition for sexual abuse survivors, who usually struggle privately and silently. Joe Biden’s introduction and Lady Gaga’s stirring rendition of “Til It Happens to You” were probably the highlight of the show, even though the song didn’t win an Oscar.
- As much as journalists love a good movie about our craft, Hollywood usually doesn’t. This was the first journalism movie to take home the Best Picture statue since “Gentleman’s Agreement” in 1947.
Here are my two posts from last year after I watched “Spotlight”:
‘Spotlight’: a generation-later echo of ‘All the President’s Men’
Responding to ‘Spotlight’: Advice for investigating sexual abuse by clergy
The real story is how Revenant could win Best Cinematography, Best Actor and Best Director and not win best movie. Spotlight is an excellent movie, but won nothing else. It makes NO sense.
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Spotlight won for screenplay, too. Don’t work too hard on trying to find consistency in Oscar selections, Judith. Why would they start now?
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so quick and accurate .. you just saved my time…. 🙂
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[…] because the Globe is a damned good and important news operation. If you haven’t seen “Spotlight,” watch it. That was almost 15 years ago and under different leadership, but the Globe […]
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[…] I was simultaneously pleased and frustrated to read yesterday that the Boston Globe is trying to reinvent itself as if starting a brand-new competitor to the Globe today. I hope this effort lays the groundwork for a prosperous future for the Globe, the important American journalism institution whose spectacular success we celebrated when we watched the Oscar-winning Best Picture, “Spotlight.” […]
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[…] Boston Globe’s famed “Spotlight” investigation of sexual abuse by priests opened the floodgates for reporting by newsrooms around […]
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